Reviews of American Movie Classics: Mary Poppins Is a Thinly-Veiled and Startling Endorsement of Abortion

Very few things in our world of increasing sin and wickedness can be considered true evil. No matter how immoral, most people, acts, and ideas have at least a trace of the Lord's good spirit and classic American values. However, true evil does exist. Mary Poppins, a shockingly sinful, soul-destroying tale that fiendishly revels in its love of abortion, is true evil.

The film opens with the miserable Banks family. The parents are overworked, the children are unmanageable menaces, and the family nanny quits under all of the stress. Mr. and Mrs. Banks are faced with a dilemma: With all of their time and energy already completely saturated, what are they to do about their riotous, impossible, inconvenient children?

The answer flies down magically from a cloud. The perfect, though unimaginable solution. Mary Poppins. Mary Poppins arrives to take care of the children. Mary Poppins takes them out for the time of their lives to places so wonderful and unfathomable that it's almost like heaven.

Mary Poppins is no less than a metaphor for abortion. Nothing has ever been so obvious or so repulsive in the history of film. Her name might as well be Mary Popthefetusoutofmyuterusanddestroyit. Her umbrella might as well be a clothes hanger with dead fetuses shish kabobed down its entire length. The film and its pinko Hollywood creators convey Poppins, and, therefore, abortion, in the most appealing and positive light in their demonic quest to further their leftist, satanic agenda. But the film's raging endorsement of abortion does not end with Poppins. The very idea of abortion is omnipresent through the course of the film.

Film abortion Mary Poppins

Take, for example, the lovable Bert. Affable, laughable Bert makes everyone chuckle with his goofy mannerisms and his boyish playfulness. But observe, if you will, Bert's profession. He's a chimney sweeper. He's paid to clean out people's chimneys when they're clogged up with something unwanted so that the people can continue to keep their fires burning.

Bert is a clinical abortionist. Once again, the liberals try to conquer our souls by painting Bert as a warm and kindhearted character. Little do we realize, however, that Bert subliminally represents everything that God hates: a fetus-crushing abortionist. In the film, the children absolutely adore Bert; they cherish and fully enjoy the time that he spends genially entertaining them. In real life, Bert the Abortor would not hesitate to pounce on the children like a cougar and rip their bodies to shreds, just like an actual abortionist. But what else could you expect from the British?

Bert and his gang coming to abort all of our fetuses

The support for abortion is nowhere more abundant or disgusting than in the film's musical numbers. The songs are chanted like a witch's spell to charm the viewer into its pro-abortionist views. I shudder to remember them all, so I will only explore one of them. At a point in the film, the children are resistant to the thought of doing chores. Poppins encourages the children to do what must be done by singing a little song. "A spoonful of sugar helps the medicine go down," she claims. Good Lord. Could the creators be any more obvious in their demonic promotion of killing little unborn Christians? The song may as well be "A uterus full of acid helps the fetus dissolve."

The Lord is vengeful, and every baby that Mary Poppins kills only adds exponentially to his holy wrath. Every creature that had anything to do with the creation, distribution, or exhibition of this film to children must repent or look to the horizon with a wary eye, for when the four horsemen come riding down from the heavens, justice will be done upon them.

I give Mary Poppins three stars out of four.